In these cases, the files they considered “mastered” are far from a final master. Some clients are unsure if they need or want extra time added between songs, and some even ask for fade-outs. Sometimes files will be hitting or exceeding 0dBFS which can result in some nasty sounds/artifacts and audible distortion down the line with playback on cheap systems and inevitable mp3 or AAC encoding. Some people will send 48k (or higher) WAV files, some files have undetected sounds or noises before or after songs due to inattentive listening or poor analyzation before sending them in. When I’m doing these kinds of jobs, I see all sorts of problematic files as well. No conversion to 24 bit required when set to maximum quality. DSP-Quattro can record direct to disc using 32 bit float sample precision. File length is limited only by available hard disc capacity. v5 records to CAF unrestricted size audio files. The built-in Output Recorder writes to disc what you are listening to-in real time. If markers are dropped while making a live recording, an Audio CD-ROM can be output in just a few seconds. DSP-Quattro can be used in live performance as a real time multi-effects processor or to play Virtual Instruments Play AU Virtual Instruments via MIDI control Hosts 64 bit Audio Unit (AU) plug-ins, editing with sample accuracy and latency compensation Support for EAN/UPC, ISRC, PQ subcodes, CD-Texts and ID3 Tags Burn Audio CD-ROMs and Import/Export DDP files Exclusive AudioCD Layout waveform view provides programmable X-Fades in real time
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